29
Jul
Posted by docsandtv in What's Showing. Tagged: african-american, ASPiRE, famly, filmmakers, Magic Johnson, Target Market News. Leave a comment
Magic Johnson just launched the new ASPiRE network along with Comcast. ASPiRE will offer programming of interest to African-American families. Part of the line-up includes films by African-American Filmmakers.
Check out the entire press release by Target Market News detailing the African-American Filmmakers programming slot. Here is a clip: “ASPiRE, the new African-American television network from Magic Johnson
Enterprises, today announced its first original series, “ABFF Independent.” The
weekly two-hour show, hosted by actor Omari Hardwick (“Sparkle,” “Dark Blue,”)
will present the best independent shorts, feature films and documentaries from
emerging black artists, “ABFF Independent” will air Mondays at 8 p.m. (ET), with
repeat airings Monday at 11 p.m., Saturday at 2 p.m., 8 p.m. and 11 p.m., and
the following Monday at 2 p.m. The series will premiere on the network’s launch
date, Wednesday, June 27, with back-to-back episodes starting at 8 p.m. ”
20
Sep
Posted by docsandtv in What's Showing. Tagged: african-american, Andre Perry, barbershop, Close Ties, documentary, film, gemal woods, high school, NBC, New Orleans, park triangle, rites of Passage, tying on a New Tradition, video, Wilber "Chill" Wilson. Leave a comment
The independent documentary, Close Ties will air Saturday October 22 at 6pm on WDSU (NBC) and Sunday October 23rd at 11:35pm on WDSU (NBC). Syndication coming to other Networks and let’s not forget the festivals!!! 
Close Ties: Tying on a New Tradition provides an intimate look at a rites of passage ceremony that connects teenage boys with male role models. The ceremony at this New Orleans barbershop was created by Dr. Andre Perry and Wilbert “Chill” Wilson as a way to strengthen communities struggling with crime, poverty and alarming high school drop out rates. Cultural traditions have been the cornerstone of African American communities for centuries. Close Ties examines the impact of this new tradition and shows us how tying a necktie — an act associated with men who embody professionalism and prestige — can inspire high school boys to commit to a life of achievement and success.
Find out what else is showing in the What’s Showing category.
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4
Apr
Posted by docsandtv in Grants and Funding, Television Freelancing, Television Production, Tools and Resources. Tagged: african-american, documentary, financing, funding, grant, national black programming consortium, NBPC, new media, series, television. Leave a comment
The National Black Programming Consortium (NBPC) offers funding for series, documentaries and online media relating to the black global experience. “Since 1991 NBPC has invested $7 million dollars in iconic documentary productions for public television; trained, mentored and supported a diverse array of producers who create content about contemporary black experiences; and emerged as a leader in the evolving next-media landscape through it’s annual New Media Institute: Africa Programs.”
Find out about grants and funding in the grants and funding category.
To purchase a download of the Funding Your Dream Documentary seminar, click here.
20
Oct
Posted by docsandtv in Documentary & Television Reviews, Opinions. Tagged: african-american, afro, al sharpton, Asians, atlanta, black, black community, black women, body piercing, bronner brothers, chemical process, Chris Rock, comedians, creamy crack, documentary, drama, educational, film, funny, Good Hair, hair, hair care industry, hair style, hair weave, humor, ice-t, manufacturers, movie, natural, nia long, Oprah, perm, raven Symone, relaxer, review, sisters, slavery, social commentary, straight, straighten, stylist, through-line, whitening, whites, whitney houston, woman. 1 comment
One questions: how can I keep my daughter off of the “creamy crack?” Yes, I am referring to a perm or relaxer that turns afro hair into straight hair, (a la Whitney Houston and Oprah Winfrey). Chris Rock posed a similar question as he set out to produce the documentary Good Hair. In my post entitled Comedians and Docs, I touched on the issue of well known-funny guys producing funny documentaries. In the case of Rock’s Good Hair, he did a good job using humor to tackle what has been a taboo topic in the black community. He’s got us talking about our hair in a very open way. I’m sure his appearance on Oprah was a big help.
Using the flamboyant, hyped up, super charged Bronner Brothers hair show in Atlanta as the through-line added a since of drama, educational moments and a fair share of surprises. But the movie raises some good points too: why do black women straighten their hair? Why do the men who love them bankroll thousand-dollar weaves? What is the chemical process for making relaxers? And, where does all that hair come from to make a good weave? The most pertinent point for me was that the industry of whitening black hair is a billion dollar industry with only four black manufacturers. The industry is largely controlled by whites and Asians. As Reverend Al Sharpton points out, giving that kind of money away is like volunteer slavery.
Good Hair had a couple of uncomfortable moments when Chris Rock played a buffoon for the benefit Asian shop keepers to draw out a point. But perhaps the ends justified the means. I was disappointed at the lack of discussion about WHY so many people seek perms and weaves. Is there a disconnect for black women to proudly love our lips and hips but not our hair? Also, lot of my sisters with natural hair were disappointed that the movie did not discuss natural hair at length. But that’s not what the movie was about. The movie was about getting “good hair.”
Kudos to Chris Rock for getting celebrities like Ice-T, Raven Symone and Nia Long to talk about this touchy subject. Good Hair gets a thumbs up from me because as a black woman, I learned a lot about the black women’s hair care industry and had a couple of laughs to boot. In the meantime, I’ll prepare myself for my daughter’s style and fashion decisions to be what they will. When do I start worrying about body piercing?
7
Oct
Posted by docsandtv in Opinions. Tagged: african-american, Bill Maher, cheap laugh, Chris Rock, comedian, congress, documentary, filmmaking, films, God, Good Hair, Michael Moore, millennium, movie, movies, news, one-sided, Oprah, perms, production, radio shows, religulous, supermodels. 1 comment
Comedians seem to be the supermodels of the millennium. They are hosting radio shows, presenting the news and even winning seats in congress. Recently, some comedians have even wandered into the realm of documentary production. And I don’t mean documentaries about themselves working as comedians. They are producing documentaries tackling serious subjects.
In 2008, Bill Maher produced Religulous, a documentary starring himself travelling around the world asking people about their religious views in an effort to understand why people believe in a higher power. He clearly had an agenda: prove through comedy that people who believe in God are stupid. While the movie was funny and thought provoking, his obvious bias was sometimes distracting. Michael Moore is also no fan of objective film-making. And while I enjoy his movies as well, I don’t always trust so-called facts presented in such a staunch one-sided view. You can view the Religulous trailer at http://www.youtube.com/watch?v=XdkyLrDpaUg.
Chris Rock’s soon to be released Good Hair, takes a look at black women’s quest for straight , long hair and the internationally multi-billion dollar industry that supports it. The movie will hit theaters in about a week but the trailer has already created a national discussion about African-American hair. Perhaps Rock’s appearance on Oprah had something to do with it. At any rate, the subject matter is both touchy and niche specific – two adjectives that can often keep films from being made. Rock’s daughter motivated him to make the documentary when she called a friend’s hair “good.” As a black American with natural hair, I can only hope Rock’s documentary is eye-opening and insightful and doesn’t just go for the cheap laugh. Take a look at the trailer at http://www.youtube.com/watch?v=1m-4qxz08So.
I hope more comedians make documentaries. It could be good for the genre. My thinking is, if the big name stars bring people out to theaters to see one documentary, perhaps those same people will come back to see more. Perhaps they will watch different types of documentaries.
20 Oct
Review: Good Hair
Posted by docsandtv in Documentary & Television Reviews, Opinions. Tagged: african-american, afro, al sharpton, Asians, atlanta, black, black community, black women, body piercing, bronner brothers, chemical process, Chris Rock, comedians, creamy crack, documentary, drama, educational, film, funny, Good Hair, hair, hair care industry, hair style, hair weave, humor, ice-t, manufacturers, movie, natural, nia long, Oprah, perm, raven Symone, relaxer, review, sisters, slavery, social commentary, straight, straighten, stylist, through-line, whitening, whites, whitney houston, woman. 1 comment
One questions: how can I keep my daughter off of the “creamy crack?” Yes, I am referring to a perm or relaxer that turns afro hair into straight hair, (a la Whitney Houston and Oprah Winfrey). Chris Rock posed a similar question as he set out to produce the documentary Good Hair. In my post entitled Comedians and Docs, I touched on the issue of well known-funny guys producing funny documentaries. In the case of Rock’s Good Hair, he did a good job using humor to tackle what has been a taboo topic in the black community. He’s got us talking about our hair in a very open way. I’m sure his appearance on Oprah was a big help.
Using the flamboyant, hyped up, super charged Bronner Brothers hair show in Atlanta as the through-line added a since of drama, educational moments and a fair share of surprises. But the movie raises some good points too: why do black women straighten their hair? Why do the men who love them bankroll thousand-dollar weaves? What is the chemical process for making relaxers? And, where does all that hair come from to make a good weave? The most pertinent point for me was that the industry of whitening black hair is a billion dollar industry with only four black manufacturers. The industry is largely controlled by whites and Asians. As Reverend Al Sharpton points out, giving that kind of money away is like volunteer slavery.
Good Hair had a couple of uncomfortable moments when Chris Rock played a buffoon for the benefit Asian shop keepers to draw out a point. But perhaps the ends justified the means. I was disappointed at the lack of discussion about WHY so many people seek perms and weaves. Is there a disconnect for black women to proudly love our lips and hips but not our hair? Also, lot of my sisters with natural hair were disappointed that the movie did not discuss natural hair at length. But that’s not what the movie was about. The movie was about getting “good hair.”
Kudos to Chris Rock for getting celebrities like Ice-T, Raven Symone and Nia Long to talk about this touchy subject. Good Hair gets a thumbs up from me because as a black woman, I learned a lot about the black women’s hair care industry and had a couple of laughs to boot. In the meantime, I’ll prepare myself for my daughter’s style and fashion decisions to be what they will. When do I start worrying about body piercing?